New installation of public art in Cascade strikes balance in honoring local leaders both past, present

By David Pendered

In a city that struggles to strike a balance in honoring its leaders, past and present, a new installation of public art in southwest Atlanta promises to hit the right notes.

“Chi Wara Sundial Lantern," by Ayokunle Odeleye

The dedication is slated for Saturday for “Chi Wara Sundial Lantern,” by Ayokunle Odeleye. Credit: City of Atlanta

The bronze and stainless steel sculpture is the creation of nationally renowned artist Ayokunle Odeleye, of Stone Mountain. The sculpture, “Chi Wara Sundial Lantern,” is designed to function as a sundial by day and a lantern by night. The names of community leaders from Cascade Heights, in southwest Atlanta, are inscribed in markers at each point of the dial.

The dedication ceremony set for Saturday at 10 a.m. has flown under the radar, especially when compared to recent commemorations that have stirred controversy – the naming of John Portman Boulevard and the installation of a statue honoring Andy Young, to name just two.

These are the 12 leaders who are honored for their contributions to the political, spiritual and cultural affairs of the community and to Atlanta:

  1. Benjamin E. Mays: Morehouse College President / Advisor to U.S. President;
  2. C.T. Vivian: Minister;
  3. Romae T. Powell (Judge);
  4. Dr. Gerald L. Durley / Minister;
  5. Dr. Vivien Davenport / Community worker;
  6. Chi Wara headdress

    This Chi Wara headdress is described in a catalog of Massachusetts-based dealer Willis Henry Auctions, Inc. Credit: willishenryauctions.com

    C.A. Scott / Founder, Atlanta Daily World;

  7. Leroy Johnson / First black state senator;
  8. Curtis Patterson / Nationally recognized sculptor;
  9. Dr. Clinton Warner: Instrumental in the desegregation of southwest Atlanta in 1963;
  10. 10. Alice Washington: Research librarian;
  11. 11. Evelyn Frazier: Civil Rights activist;
  12. 12. Lowell Ware: Founder of Atlanta Voice.

Odeleye was selected by an art selection committee to design a sculpture for a plaza that anchors a new streetscape project that’s part of Atlanta’s comprehensive effort to bolster the gateway of, and primary road through, Cascade Heights, a neighborhood that has been the historic home of Atlanta’s black business and political leaders.

In creating the sculpture for the Cascade community, Odeleye drew inspiration from the folklore of Mali, the country located just inland of the coast of West Africa.

In the Malian culture, a headdress honors Chi Wara, a mythical creature comprised of half man, half antelop who taught man how to cultivate the soil, according to a description at hamillgallery.com.

Map, Mali

The inspiration for the new art installation in Cascade Heights comes from the cultural history of Mali, the country in West Africa. Credit: Googlemaps, David Pendered

According to an advisory released by the city, the Chi Wara image, “is used as a headdress in a special ceremonial harvest dance designed to pass on knowledge from the elders to young people in the village. Odeleye’s ‘Chi Wara Sundial Lantern’ interprets this mythological image and conceptually uses it to suggest the ceremonial passing of scholarship from Cascade elders to the youth of this community.”

The dedication on Saturday precedes the opening on Nov. 10 of a two-month exhibition of Odeleye’s work at the Museum of Contemporary Art of Georgia, on Bennett Street in Buckhead.

According to the museum’s website: “MOCA GA is especially excited about this exhibition as it offers the public the unique opportunity to view the many processes undertaken by a professional sculptor in the design and execution of diverse and monumental gateway structures that serve as architectural markers for community identity.”

The artist now serves as a tenured art professor at Kennesaw State University. Over the past 30 years, he has taught at schools including Spelman College of Art, Georgia State University, Duke Ellington School for the Arts (Washington, D.C.), and Fulton County public schools.

The new installation is located at the intersection of Cascade Road and Benjamin E. Mays Drive. The sculpture is part of the Cascade streetscape improvement program, which was allocated in the 2008 Quality of Life bond program.

The cost was $70,000, including design, fabrication and installation, according to Eddie Granderson, Atlanta’s public art program manager.

Aurora (Co) Municipal Court Facility

This installation at the Aurora (Co) Municipal Court Facility is another example of the public metal work by Stone Mountain artist Ayokunle Odeleye. Credit: Museum of Contemporary Art of Georgia

 

About David Pendered

David Pendered, Managing Editor, is an Atlanta journalist with nearly 30 years experience reporting on the region’s urban affairs, from Atlanta City Hall to the state Capitol. Since 2008, he has written for print and digital publications, and advised on media and governmental affairs. Previously, he spent more than 26 years with The Atlanta Journal-Constitution and won awards for his coverage of schools and urban development. David graduated from North Carolina State University and was a Western Knight Center Fellow. David was born in Pennsylvania, grew up in North Carolina and is married to a fifth-generation Atlantan.
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2 comments
scfranklin
scfranklin

This is a wonderful new public art addition to Atlanta's cityscape and another tribute to Maynard Jackson whose vision of public support of  the arts led the way some 4 decades ago. He along with Morris Finley and Michael Lomax championed the % for art program that funds projects like this in the city. We and future generations benefit from Maynard's vision, tenacity and commitment to create a world class city in every way.

scfranklin
scfranklin

This is a wonderful new public art addition to Atlanta's cityscape and another tribute to Maynard Jackson whose vision of public support of  the arts led the way some 4 decades ago. He along with Morris Finley and Michael Lomax championed the % for art program that funds projects like this in the city. We and future generations benefit from Maynard's vision, tenacity and commitment to create a world class city in every way.

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