Spring Street Elementary School about to disappear behind the Center for Puppetry Arts museum expansion

By Maria Saporta

Ordinarily I would be thrilled to see one of Atlanta’s premier cultural institutions doubling in size and attracting a world-renowned collection as significant as Jim Henson’s puppets.

But my heart literally dropped to my stomach when I saw the design for the proposed expansion of the Center for Puppetry Arts.

Here is an institution devoted to the preservation and to the artistry of puppets from around the world, and yet the Center for Puppetry Arts has totally ignored the significant history and urban context of its own location — the former Spring Street Elementary School.

In fact the expanded design of the Center will completely shield the historic Spring Street school from Spring Street — with a window-less, bland structure built to house the Henson collection.

Expansion of the Center for Puppetry Arts along Spring Street that will block view of Spring Street Elementary School (Renderings from the Center for Puppetry Arts)

Expansion of the Center for Puppetry Arts along Spring Street that will block view of Spring Street Elementary School (Renderings from the Center for Puppetry Arts)

Back in 1978, the Center moved its home to the former Spring Street Elementary School — the first elementary school in Atlanta to be integrated — with the children of Coretta and Martin Luther King Jr. and Juanita and Ralph David Abernathy.

My sister and I had the good fortune of attending Spring Street from kindergarten to 7th grade. It was a  place where notable Atlantans had gone to school for decades. And although it has been closed since the mid-1970s, the alumni of the school maintain a facebook page and hold the memory of the school close to their heart.

How the development will look from the parking lot — see how it jets out on left side of school.

How the development will look from the parking lot — see how the new building jets out on the left side of the school.

When the Center for Puppetry Arts moved to Spring Street, the move was embraced. The school would be preserved and given new life as a place that would delight children and adults alike. My children loved going to shows to the Center and taking puppet-making workshops. And it always was nice to walk down the halls of my memories — remembering my teachers, my friends and principal Francis Douglas.

Current view from Spring Street of the Center and the school. (Photos by Maria Saporta)

Current view from Spring Street of the Center and the school. (Photos by Maria Saporta)

I even gave the Center a pass when they altered the front of the school by constructing an addition that was not in keeping with the architectural lines of the building.

At least most of the front lawn was intact. At least one could still visualize that the building had once been a school and that this part of Midtown had once been part of  a residential neighborhood.

On Tuesday, Jan. 14, the Center for Puppetry Arts had a media event to celebrate and announce the 15,000 foot, $14 million expansion of their building to house the valuable Jim Henson collection.

It was the first time many, if not most, of those present had seen the renderings for the new design. When I saw that the view of Spring Street school would be obliterated by the new building from both the sidewalk and the street, I literally lost my breath.

The expansion will take up the entire front lawn in front of Spring Street — creating a curtain wall with no relation to the street or sidewalk.

Front lawn where expansion will be built hiding view of the school

Front lawn where expansion will be built hiding view of the school

Steve Jones, the senior project manager with Heery International, explained that the new building had no windows because the collection is very sensitive to UV light.

When I asked why they didn’t put the expansion on the back side of the building, board member John Chandler explained the Center needed all that space for parking.

“The footprint is to provide parking,” Chandler said, adding that the Center’s expansion budget was limited. “I’m proud of what we’ve done.”

Vincent Anthony, founder and executive director of the Center for Puppetry Arts, rightfully said that the building had received all the necessary approvals — in this case, that meant the Midtown Development Review Committee.

Close up of Spring Street name plate which will be hidden once expansion is built

Close up of Spring Street name plate which will be hidden once expansion is built

According to Jones, the Midtown DRC unanimously approved the expansion project.

And that’s what I can not understand. This project flies in the face of everything that I have been led to believe about what BluePrint Midtown and the special zoning for the district stands for.

Midtown has tried to encourage architects to design buildings that have a human scale with the street and sidewalks in the community. That means having retail spaces on the ground floor or pleasant places to the human eye — such as green space or pocket parks.

A view of one of the Center's two asphalt parking lots that surround the former Spring Street school - once our playgrounds

A view of one of the Center’s two asphalt parking lots that surround the former Spring Street school – once our playgrounds

The special zoning also has been trying to limit surface parking lots in an effort to create a more walkable, pedestrian-oriented community. In the last 15 years or so, the Midtown Alliance has fought hard to get developers to minimize their parking  especially surface lots. Usually they encourage developers to structure their parking — burying it or hiding it from view while keeping people-oriented activities on the street level.

The expansion plans for the Center for Puppetry Arts seem to go counter to all of Midtown’s development guidelines — a new faceless building with no uses that relate to the street, a new development that does not respect the historic and urban texture of the community, an expansion that removes green space in order to preserve surface parking spaces and a structure that discourages the establishment of a walkable environment.

A view of the back side of Center showing how the parking lot extends towards the expressway

A view of the back side of Center showing how the parking lot extends towards the expressway

Kevin Green, president of the Midtown Alliance, said he did not attend the Midtown DRC meeting when the Center’s expansion was discussed. But he did defend the committee’s work. For a list of the members, please see below.

“It is a pretty impressive and thoughtful group,” Green said. “They know what we are trying to achieve. And they are not afraid to stand up to projects they don’t like.”

But Green said he could understand my concerns. The sad part is that apparently there is no way for the community to appeal the decisions that are made by the Midtown DRC — so it looks as though this unfortunate design will be built.

As a proud former Spring Street student and as someone who has admired the Center for Puppetry Arts,  I’m so disappointed that we couldn’t have come up with a better solution that would have served the needs of the Center, respected our urban  landscape and protected Atlanta’s fragile history.

Preserving puppets is a noble cause. But preserving our city is even more noble.

 

Midtown SPI-16/17 Development Review Committee (DRC)

Ansley Park neighborhood (appointed by Ansley Park Neighborhood Association)
Penelope Cheroff
President & Founder, The Cheroff Group – Restaurant & Retail Real Estate Ansley Park resident

Midtown neighborhood (appointed by Midtown Neighbors Association)
Tony Rizzouto, AIA
Professor of Architecture, Southern Polytechnic University Midtown Neighborhood resident

NPU-E resident, property or business owner within SPI-16 or SPI-17 (appointed by NPU-E)
Kristen Morris
Senior Retail Leasing & Marketing Manager, Jamestown Properties

District resident, property or business owner (appointed by NPU-E)
Alan Hanratty
RE/MAX Greater Atlanta
Midtown Neighborhood Resident/NPU-E resident

Resident, property or business owner within Midtown Commercial (appointed by Midtown Alliance)
David Green, AIA, LEED AP
Associate Principal, Perkins + Will Architects
Professor of Architecture, Georgia Institute of Technology

Resident, property or business owner within Midtown Residential (appointed by Midtown Alliance)
Brock Harvey
SPI-16 District resident

Resident, property or business owner within Juniper East (appointed by Midtown Alliance)
Gail Bechtel
Sixty Plus Older Adult Services, Piedmont Hospital SPI-16 District resident

Resident, property or business owner within SPI-16 or SPI-17 (appointed by Midtown Alliance)
Eric Bishop
Senior Associate, AECOM
Midtown Neighborhood /NPU-E resident

Midtown institution’s representative (appointed by Midtown Alliance)
John Majeroni
Director of Real Estate Planning & Development, Georgia Institute of Technology

Staff Assistance:
Midtown Alliance
Ginny Kennedy

City of Atlanta, Office of Planning
Karl Smith-Davids

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13 comments
Sandra Davis
Sandra Davis

Maria, this is an example where MONEY bullies the little kids that want to see and interact with Jim Henson's puppets...LOOK BUT DON'T TOUCH.....why not MOVE to a more suitable area that could work for people and their mode of transportation?...if the BRAVES can move? why not the little puppets, too?..I would like, as a citizen, to file a lawsuit against this enterprise that does not take in consideration the children of all ages!!! (1 yr to 100yrs) I, too am a former student of Spring Street! ...keep up your good work, to be continued, 

Sandra Davis, artscon@bellsouth.net


Nancy
Nancy

Certainly we can find some more beautiful form that will follow the function of UV light protection.  Why do all the drivers and pedestrians on Spring Street have to be subjected to this eyesore, especially one that is supposed to be promoting the arts?  Atlantans may have hated what Sherman did during the Civil War, but we seem determined to continue his legacy in one form or another.  This is just another example.

Burroughston Broch
Burroughston Broch

What is historic about the Spring St. School, other than it was the first in the City of Atlanta to be integrated? It's not old and it's not attractive.

C
C

Your heart literally dropped to your stomach?  Did you have to go to the emergency room?

but wait
but wait

hang on, you mean to tell me you're surprised that the same people that approved all of Novare's ugly as hell concrete and glass boxes in midtown approved this? come on. just because they make developers add street level retail, doesn't always mean it's a good design.


the drc is a joke in this city.

itpsnob
itpsnob

Follow-up comment about this cargo container. The interior of the *current* PA is dark and depressing thanks to blacked-out windows and bad / non-existent lighting. It should feel light and full of spirit / creativity, yet it comes across as insular, ignored and past-its-prime. I get that windows/light are the enemy of material collections like Hensons, not to mention the theaters themselves, but there are ways to handle this architecturally. Just take a look at any modern museum. They're almost always full of light, yet protect hundreds of millions of dollars worth of art. Back to the drawing board, please.

Janice
Janice

What a wasted opportunity. Surely for the same cost they could have designed something better.

Rees Cramer
Rees Cramer

I so agree with you on this development.  I have always looked at this building as one of the true bight spots in a rather sad section of midtown. it has a pleasant green space and a unique historic structure in good shape.

This raises some serious questions.  First of all, that design won a competition?  It is not hard to look at the property and see that the building should be built on the parking area on top of two layers of parking.  I am stunned that they have surface parking and they want to keep it and build on the green space instead.  Out back is just the place for a window less box. It can be free advertising to the connector. I think it is time for a little citizen action.

itpsnob
itpsnob

I can understand how a former student might be sensitive to change, but that doesn't bother me nearly as much as the proposed design. The black and white certainly doesn't help matters, but it's true -- this completely fails to capture the energy, spirit and creativity of its content. The rendering reminds me of the white, windowless slab of rock that was the document storage facility near downtown. I'm all for modern architecture, but this is bad.

John Ingersoll
John Ingersoll

Monumental brutalism. The downtown public library all over again.

K Anderson
K Anderson

This gas to be one of the least attractive structures ever proposed for midtown. We have parking decks more attractive than this. Perhaps the Center for Puppetry Arts board of directors should put the breaks on this and consider more input from local citizens and discussion of funding requirements to develop an architectural design which can stand the test of time and enhance the area which already suffers with dullness. This proposed design unfortunately could very well set the tone for future improvements. The Center would make a great ground floor attraction to any of the many proposed midtown towers on the drawing board.

Keith Anderson

Vice President

Lofts @ the Park HOA

206 11th St

Atlanta, GA

arctk2011tj
arctk2011tj

It's unfortunate they didn't take more cues from Freelon's proposal during the competition for the expansion. Which would have properly addressed both streets as well as maintaned the character of the original school's front - including maintaining a larger portion of the green space in front of the school's original entrance.

Ann
Ann

I couldn't agree with you more, Maria. The addition to the Center not only obscures a historic building, it also looks like a prison. I'm guessing that the dirth of windows is meant to protect the puppets and Muppets from the harmful rays of the sun, but if that's the case, nowadays there are many technologies to allow light to enter without harming the objects inside. What a sad addition to Atlanta architecture.

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