A potentially messy battle over Georgia’s road projects could unfold if the Muscogee (Creek) Nation pushes hard over its concerns that artifacts of ancestors could be paved over by state road projects.
This week, guest columnist BETTY HOLLAN, executive director of Georgia Women of Achievement, recognizes the achievements of Sapelo Island midwife Katie Hall Underwood.
If you visited Sapelo Island from 1920 until 1968, you may have seen a strong, lean woman briskly walking from one end of the island to the other, a long seven-mile stretch, her mind set on delivering another baby into this world. Born into a family of freed slaves in 1884, Katie Hall Underwood was the last of a long line of Sapelo midwives. Her skilled hands and soothing demeanor brought generations of proud Gullah-Geechee people into the world.
This week, guest columnist MARILYNN RICHTARIK, professor of English at Georgia State University shares the story of Ireland’s Easter Rising of 1916 and the ways Atlanta is commemorating its centenary.
100 years ago this month, after a small group of activists seized key buildings in central Dublin during the Easter Monday holiday, poet and schoolmaster Patrick Pearse stood outside the rebels’ headquarters in the General Post Office and read aloud a Proclamation declaring an Irish Republic to a handful of bemused passers-by. Within days, the British Army had quashed the Rising; within weeks its most prominent leaders had been summarily executed. This brutal reaction, though, turned what had been a fringe movement in favor of the complete separation of Britain and Ireland into a popular cause with martyrs. As Irish poet W. B. Yeats put it in “Easter, 1916,” a “terrible beauty” had been born.
What is it about stories? Myths, legends, folk tales, fairy tales, tall tales, sagas, yarns, it doesn’t matter what type of story. We are captivated by all of them. We always have been. It probably has something to do with the fact that a good story skips the brain and goes right to the heart. […]
If you had to pick just one occupation that people throughout the ages would recognize as a job, what would you pick? Yeah, us too. This week’s story is about those who work for a living. More accurately, it’s about those who worked for a living in 19th century Atlanta. This topic came about quite […]
This week, guest columnist WILLIAM J. MORTON, author of The Story of Georgia’s Boundaries: A Meeting of History and Geography, shares the story of Georgia’s mismeasured northern boundary.
What does Georgia — more specifically, Atlanta — need to thrive? Today, like many large and expanding metropolitan areas across the United States, it needs water. The drought of 2008 in Georgia brought renewed attention to the fact that if the Georgia/Tennessee boundary had been properly surveyed along the 35th latitude, then plenty of water from the Tennessee River would be available for Georgia’s citizens. This is the story of Georgia’s mismeasured northern boundary.
At the corner of Peachtree and Carnegie Way there is an entrance to the Peachtree Center MARTA station. It hasn’t always been there, of course. Over one hundred years ago on that very same spot stood the Hotel Aragon, a six-story, 125-room establishment that opened for business in 1892. By all accounts, it was a […]
This week, guest columnist ALLISON HUTTON, program coordinator at Georgia Humanities, examines how Andalusia Farm, former home of author Flannery O’Connor, uses animals to tell Georgia’s story.
In the children’s book Click Clack Moo: Cows That Type, written by Doreen Cronin and illustrated by Betsy Lewin, Farmer Brown has a problem. His cows have found a typewriter and have taken to writing him letters about conditions in the barnyard. With the exception of the Chick-fil-A cows decorating billboards that line the interstate, there have been no reports of literate cows in Georgia (yet). Still, animals are an essential — and charming — part of the way that many Georgia museums and historic sites tell their stories.
This week, guest columnist HERMINA GLASS-HILL, a public historian, explores the transformation of Susie King Taylor, a Civil War nurse, into a an early social justice activist and racial uplift advocate.
Susie Baker King Taylor, born in 1848 in Liberty County, is celebrated as the only African American woman ever to have written an autobiography of her enlistment and service as a teacher and a nurse in the first all-black regiment in the history of the U.S. army. Yet very little has been written about her private emotions, frustrations, and disappointments. These aspects of Taylor’s life resonate very deeply within my own spirit, and are just as compelling as her public achievements.
If you’ve lived in Atlanta longer than about a day and a half, chances are pretty good that you have discovered navigating Atlanta’s road system can be a bit challenging and I’m pretty sure you didn’t need me to tell you that. I’ll never forget my first day driving in Atlanta as someone from another […]
The hubbub began back in 2012 when an application was submitted that would lead to the demolition of a building located at 771 Spring Street. The building in question, the Crum and Forster building, had been constructed around 1926 and it served as the Atlanta location of the the Crum and Forster Insurance Company. The […]
Bloody Sunday is surreal. It was an uncanny experience even for this seasoned journalist to encounter civil rights icon, Atlanta Congressman John Lewis, holding court and counseling youngsters at the apex of the Edmund Pettis Bridge on Sunday March 6th about the significance and substance of this memorable day in Black history.
This week guest columnist GLENN T. ESKEW, a Georgia State University professor, explores historic landscapes.
For the second time, the inclement weather had passed north of Atlanta, and I found myself heading south to attend yet another history conference. The academic year was in full swing, and scholars like the winter months for symposia. Rather than take the interstate, I prefer riding back roads and drove down Georgia Highway 15 through the old Cotton Belt.
With all of the books, documentaries and tours, you would think that there was nothing new to be learned about the final resting place of Atlanta’s notable citizens. But if you happen to be a regular viewer of our stories, you already know that there is always more to the story. When you think about […]
It is natural for any city to brag a little about itself … but in Atlanta, boosterism is a way of life. That, however, does not change the fact that there are many things about Atlanta that are worth bragging about. I guess we were just in a little bit of a reflective mood this […]
This week, guest columnist STANLEY ROMANSTEIN of Georgia State University makes a case for supporting the music industry in Georgia.
How do we create and promote a viable, growing, sustainable music industry in our state? Lieutenant Governor Zell Miller first put that question to the Georgia General Assembly in 1978 by naming both a Senate Music Recording Industry Study Committee and a Music Recording Industry Advisory Committee.
Downtown Atlanta, which for years was bereft of any historic signs to mark the city as the launch pad for the Coca-Cola Co., is poised to get another Coke marker to join the neon sign atop the Olympia Building.
Robin Ligon-Williams fashions herself as the modern day reincarnation of Susanne Wenger, the late creator of the Osogbo School of Art. But Williams’ passion for the African art form, coupled with a January exhibition of her collection and her practice of the IFA religion may be why she was recently fired from her Fulton County job.
This week guest columnist GLENN T. ESKEW, discusses Johnny Mercer’s connection to the Great American Songbook and Georgia State University.
On Friday, February 26 at 8 p.m. Georgia State University will hold its biannual Mercer Celebration at the Rialto Center for the Arts with a performance by trumpeter Joe Gransden joined by vocalist Kathleen Bertrand and the Georgia State University Big Band. With this concert, Georgia State University celebrates native son Johnny Mercer, as well as its own good fortune in housing Mercer’s memorabilia, donated to the university by his widow, Ginger, in June 1981.