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Columns Eleanor Ringel Cater

‘Roadrunner’ – an opaque documentary about Anthony Bourdain

A scene from the "Roadrunner" documentary about Anthony Bourdain

By Eleanor Ringel Cater

Award-winning documentarian Morgan Neville has always been astute in his choice of subjects. His “20 Feet From Stardom,” about A-list back-up singers, nabbed him an Oscar while “Won’t You Be My Neighbor?,” about Fred Rogers all but elected him to sainthood.

Now he’s tackled Anthony Bourdain, the decidedly un-saint-like chef-turned-best-selling-author-turned-world-famous-media-celebrity. A bad-boy who made good in a big way, Bourdain was just another snarky, opinionated drug-addicted well-known Manhattan chef until he wrote the irresistible tell-all, “Kitchen Confidential” (Biggest take-away: never order swordfish on Monday).

Poster of “Roadrunner” – a documentary about Anthony Bourdain

Bourdain radiated a kind of punk-rock authority, in the kitchen, on the page and, ultimately, in front of the camera. You felt drawn to him, even if you felt you couldn’t entirely trust him. He was an outlaw insider, willing to not only eat a cobra, but swallow its still-beating heart.  And describe it for us.

Neville captures lots of moments like this as he watches Bourdain road-run around the world.  He also shares his subject’s ruminations on everything from first-world privilege to third-world desperation. Bourdain on death? Maybe he should be tossed in a wood-chipper and scattered about Harrod’s.

This is hardly a throwaway. As most of us already know, Bourdain inexplicably committed suicide, hanging himself while in France in 2018. “Roadrunner” wisely makes no attempt to explain why but, perhaps less wisely, the film makes little attempt to explain almost anything about Bourdain. It’s as if Neville ran into a nut he couldn’t crack.

A scene from the “Roadrunner” documentary about Anthony Bourdain

The film is a semi- informative look at a decidedly opaque man.  A charmer, yes.  Also, an intellectual with a sensitive side and a cynic with a snarky streak.  Some insight is provided by friends, colleagues, girlfriends, ex-wives and a smattering of celebrities (David Chang of Momofoku and Eric Ripert of Le Bernadin).

But by the end of “Roadrunner,” we don’t feel we know Bourdain any more than we did after an episode of “Parts Unknown.” Perhaps that was Neville’s intention: the old enigma-wrapped-inside…

Unfortunately, that makes for an unsatisfying film, one that feels repetitive and a lot further than 20 feet from Anthony Bourdain’s particular stardom.

“Roadrunner” currently is in selected movie theaters, and it is available on demand.

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Eleanor Ringel

Eleanor Ringel, Movie Critic, was the film critic for the Atlanta Journal-Constitution for almost 30 years. She was nominated multiple times for a Pulitzer Prize. She won the Best of Cox Critic, IMAGE Film & Video and Women In Film awards. An Atlanta native, she graduated from Westminster and Brown University. She was the critic on WXIA’s Noonday, a member of Entertainment Weekly's Critics Grid and wrote TV Guide’s movie/DVD. She is member of the National Society of Film Critics and currently talks about movies on WMLB and writes the Time Out column for the Atlanta Business Chronicle.

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1 Comment

  1. Alex Reeves August 10, 2021 4:13 pm

    This is evidently a review from someone with a limited at best appreciation of Bourdain. To even get the people he could to go on record and say anything about Bourdain’s death was hard enough. Superb film without a great deal to work with. Cheap review using a bigger name for clickbait.Report

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