Latest From Eleanor Ringel Cater
If you want to enjoy “Nobody” as it’s intended to be enjoyed, don’t read another word about it. Not even here.
About Eleanor Ringel Cater
Eleanor was the film critic for the Atlanta Journal-Constitution for almost 30 years. She was nominated multiple times for a Pulitzer Prize. She won the Best of Cox Critic, IMAGE Film & Video and Women In Film awards. An Atlanta native, she graduated from Westminster and Brown University. She was the critic on WXIA’s Noonday, a member of Entertainment Weekly’s Critics Grid and wrote TV Guide’s movie/DVD. She is member of the National Society of Film Critics and currently talks about movies on WMLB and writes the Time Out column for the Atlanta Business Chronicle.
More from Eleanor Ringel Cater
If you want to enjoy “Nobody” as it’s intended to be enjoyed, don’t read another word about it. Not even here.
Otherworldly and breathtakingly lovely, Gregory Kershaw and Michael Dweck’s documentary about the world of truffles – buying, selling, tasting and, most importantly, finding them – could well be subtitled “The Joy of Looking.”
The producers of the 93rdOscar ceremony had a number of challenges, not the least of which was, how do you stage a show in the middle of a pandemic?
The Academy Awards may be turning 93, but the prize has nonetheless managed to cough up a few firsts this time around.
Compared to the Oscars, the BAFTAS are mere infants. The BAFTAS, you say?
Though the Screen Actors Guild Awards are only 27 years old, they have a considerable impact on their Big Bro, the 93-year-old Academy Awards. SAG’s Best Ensemble Award is considered a clear prognosticator for the eventual Best Picture winner at the Oscars.
Can a film be both mercurial and melancholy? I wouldn’t have thought so until I saw “French Exit” – a whimsical yet downbeat movie about aging, loneliness and how to go out in style.
Sweet-natured and lightweight, about all “My Salinger Year” can really be accused of is squandering an opportunity.
By Eleanor Ringel Cater Since the world turned upside down in 2020, it perhaps makes some sort of oddball sense that we look to traditions like award shows to give us an illusion of balance. But with theaters shut down for much of the year, nobody knows exactly what to expect from the granddaddy of […]
As emotionally complex as its title is simple, “The Father” offers one of the most memorable performances you’ll ever see. That it comes from an actor whose name has become synonymous with memorable performances makes his portrayal all the more remarkable.
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