At the beginning of “The Bikeriders,” there’s a shot of Benny (Austin Butler) sitting in a bar. It’s a quintessential sort of antihero shot – he’s framed from behind under the dirty bar lights, cigarette, beer and whiskey in hand. He’s got a leather motorcycle jacket on, and his hair is greased to oily perfection. The camera slowly pushes in on him, giving him an air of importance. Then two men approach. “You can’t have those colors on in here,” one of them says.
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