By Maria Saporta

Rich cultural offerings differentiate great cities from ordinary cities.

Atlanta flirts with that greatness — as was the case on the night of Thursday, Oct. 11 during the emotional production of Defiant Requiem — Verdi at Terezin.

As late as mid September, it was not sure the show would go on as the management of the Atlanta Symphony Orchestra was stuck in a stalemate with the musicians over contract negotiations.

Yet any residue of bitterness that may still exist was not evident during the Defiant Requiem performance. The multifaceted concert featured the ASO Chorus, the orchestra as well as video snippets from World War II, two actors narrating the story and conductor and creator Murry Sidlin.

The sold-out crowd learned the story of Rafael Schacter, a talented choral conductor, pianist, opera conductor and vocal coach who lifted the spirits of Jewish prisoners in the Terezin ghetto by organizing them to sing the Requiem Mass.

The music helped nourish the souls of the prisoners, lifting them to a place apart from their dismal daily lives and eminent death. The theme of the Defiant Requiem was “We will sing to the Nazis what we can not say to them.”

The concert was brought to Atlanta by the Anti-Defamation League in Atlanta, which is headed by Bill Nigut. It was Nigut who was the founding CEO of the Metro Atlanta Arts & Cultural Coalition.

ARC breakfast celebrates the arts (Photo by Donita Newton Pendered)

The morning after the concert, the Atlanta Regional Commission held its annual State of the Region breakfast with the arts as a central theme.

As of earlier this year, the ARC has become the new home for the Metro Atlanta Arts & Cultural Coalition. The board of the coalition is being transformed into an advisory board for the arts division at the ARC. It will hold its first meeting on Oct. 31.

For a list of those board members, please see below.

The ARC also featured a short video highlighting many of the region’s arts and cultural attractions — making Atlanta appear rich in its cultural offerings.

But consider the current state of the arts. The underlying issue behind the impasse between the ASO and the musicians was money — the fact that the symphony has been losing about $5 million a year.

Several other arts organizations also are struggling. For example, the Theatre on the Square in Marietta had to close its doors In March.

AIDs quilt on display at ARC breakfast (Photo by Donita Newton Pendered)

It’s a struggle for several of these entities to stay in business. And it’s even harder to envision a future with a thriving arts and cultural sector.

In fact, during the Defiant Requiem concert, I kept thinking how Atlanta has yet to make progress on building a new symphony hall even though it’s been part of the community’s wish list for more than a decade.

And current plans call for a scaled back concert hall rather than a visually-spectacular building designed in 2005 by renowned architect Santiago Calatrava.

One of major issues facing arts organizations in metro Atlanta and the rest of the state is the lack of public support for the arts. Georgia continues to rank towards the bottom when it comes to state per-capita spending for the arts.

Obviously advocates for the arts have failed to convince state and local leaders of the importance of fostering a rich cultural environment.

Historic Fourth Ward Park features a host of artistic elements (Photo by Donita Newton Pendered)

At the ARC breakfast, Bruce Katz, vice president of the Brookings Institution in Washington, D.C., presented a recipe of how the region could become more competitive economically.

A key ingredient is to make metro Atlanta a hub of innovation — and the arts are essential to building a creative economy. The good news is that Atlanta already has a strong base to build on.

“Leverage that distinctive position,” Katz said, mentioning the city’s companies, universities, governments, and the arts that can be linked to become an “innovation district” for Atlanta.

“What you have in this region and in this city are all the makings of a 21st Century innovation district. You have university powerhouses and remarkable cultural institutions. This is something to build on.”

So as Atlanta looks to the future, Katz said that “building a 21st Century innovation district should be high on the list.”

Metro Atlanta also should try to foster a “new wave of place making” developing communities where young creative people would like to live. That includes walkable communities connected by transit and places where people can live, work and play. “Transit is not something nice to do, it’s essential for your competitiveness,” Katz said.

Fanciful bicycle flies in the wind as part of Art Along the BeltLine (Photo by Maria Saporta)

The Atlanta region has so much on its plate — to invest in its transportation infrastructure, to improve its public education, to become a more sustainable city that encourages a green economy, and yes, to help our arts and cultural community flourish.

Offerings like the Defiant Requiem, art along the BeltLine, the play “Apples & Oranges” by native son Alfred Uhry are only a few of what Atlanta has to offer.

And the more vibrant arts and cultural scene we have will contribute to Atlanta becoming a great city.

Members of the ARC’s Arts and Cultural Advisory Board

Amanda Thompson, City of Decatur, Planning Director – DeKalb County Bucky Johnson, City of Norcross, Mayor – Gwinnett County

Buzz Ahrens, Cherokee County, Chairman – Cherokee County

Harvey Persons, City of Douglasville, Mayor – Douglas County

Emil Runge, Fulton County, – Fulton County

Judy Waters, Community Foundation for Northeast Georgia, Executive Director – Gwinnett County

Sonji Jacobs Dade, City of Atlanta, Director of Communications – Fulton County

Mara Holley, Wells Fargo Government & Institutional Banking, Senior Vice President & Regional Director – Regional

Richard Oden, Rockdale County, Chairman – Rockdale County

Kerry Armstrong, Pope & Land Enterprise, Senior Vice President – Gwinnett County

Pam Sessions, Hedgewood Realty, President – Forsyth County

Gay Grooms, Elm Street Cultural Arts Center, Artistic Director – Cherokee County

Anthony Rodriguez, Aurora Theatre, Artistic Director – Gwinnett County

Dave Peterson, North Highland Company, Chairman – Fulton County

David Connell, Cobb Chamber of Commerce, President & CEO – Cobb County

Joe Bankoff, Georgia Tech, Sam Nunn School of International Affairs, Fulton County

Kathy Gilbert, Southern Crescent Symphony Orchestra, – Henry County

Lisa Cremin, Metro Atlanta Arts Fund, Director – Regional

Mary Pat Matheson, Atlanta Botanical Garden, Executive Director – Fulton County

Penny McPhee, Arthur Blank Foundation, President – Regional

Sue Schroder, CORE, Artistic Director – DeKalb County

Virginia Hepner, Woodruff Arts Center, President – Fulton County

Maria Saporta, executive editor, is a longtime Atlanta business, civic and urban affairs journalist with a deep knowledge of our city, our region and state. From 2008 to 2020, she wrote weekly columns...

Join the Conversation


  1. Maria, you are again beating the drum for the misnamed “public support for the arts.” What you really mean is increased taxpayer support for the arts.
    The public supports the arts now, but not in the manner and volume you would prefer.
    Would you force all taxpayers to contribute by increasing the sales tax? That didn’t work for TSPLOST. Or would you force the 50% of taxpayers who pay income taxes shoulder the burden? Or would you put a surtax on the top 1% like the President proposes? Those folks already support the arts.
    Do you really expect us to agree that taxpayer support for the arts is more important than transportation, sidewalks, and other long-neglected public needs?
    And, if taxpayer support of the arts were to happen, I would want the Woodruff Arts Center and its various appendages excluded. Part of the arts funding problem in Metro Atlanta is that Woodruff monopolizes the scene and soaks up most available funding. They are notoriously inefficient, as the ASO fracas proved. Just look at the numbers of ASO staff versus the Philadelphia Orchestra and other major symphonies and you will see what I mean. Woodruff and the ASO should not be jobs programs.

  2. Look at the names of the members of the ARC advisory board. Many of them are the very people responsible for the lack of a mission,dearth of vision, and satisfaction with mediocrity we are dealing with. The fox is guarding the hen house”

  3. Excellent points by Bruce Katz from the Brookings Institute but when I view the member list of ARC’s “Arts” and “Cultural” Advisory Board it just screems suits & legislative map to me. How about a few “artists” to put some CREATIVITY into an “advisory” board instead of business as usual.

  4. Burroughston Broch:

    Honestly, this is about the city of Atlanta. Atlanta espouses a liberal Democratic ideology, not a Republican or libertarian ideology. The suburbs are the ones who claim to adhere to a Republican/libertarian ideology – though truthfully they really don’t – and they are the ones who are in need of your advice and correction vis a vis adhering to true neoconservative principles. Plenty of people who live in Atlanta proper and the nearby areas support publicly funded arts programs, as well as public transportation and your other pet peeves. (And plenty of them are taxpayers. Sam Massell in the AJC today pointed out that T-SPLOST easily passed in tony Buckhead.) If they had a problem with urban liberalism, they wouldn’t live in Atlanta. That is something that you are just going to have to realize and live with.

  5. Gerald, obviously this post is NOT just about the City of Atlanta, witness the multiple mentions of Metro Atlanta and the ARC’s Advisory Board.
    The urban liberal elite in the City of Atlanta are becoming more marginalized in Metro Atlanta with each passing year.

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