Morehouse College President David Thomas hugs Edwin Moses, a Morehouse alum, at the Sept. 21 premiere of "Moses – 13 Steps" at the sixth annual Human Rights Film Festival. (Photo by John Glenn.)

We had a real opportunity to attract the Sundance Film Festival to Georgia.

But we fell short when Sundance announced that Atlanta did not make it from the top six to the final three cities: Salt Lake City/Park City, Utah — the current home — Boulder, Colo., and Cincinnati, Ohio.

Let’s not waste this disappointing loss. 

Sundance’s decision to no longer consider Atlanta gives us a wonderful opportunity to examine how we present ourselves as a center for arts and culture and what we can do to make sure we nurture our city, region and state as a true center for creativity and entertainment.

Poster of the 2024 Sundance Film Festival. (Photo via the Sundance website.)

Traditionally, Atlanta and Georgia have a wonderful track record in going after sporting events, conventions and major corporate entities. We are less experienced in having an economic development strategy to seek and grow our cultural assets.

That was an issue when the Metro Atlanta Chamber, the Atlanta Convention & Visitors Bureau, the City of Atlanta hurriedly worked on presenting a proposal to become the new home of the Sundance Film Festival, the largest event featuring independent films and filmmaking in the country.

The experience of going after Sundance brought diverse players together who were excited about the possibilities that could emerge by attracting such a high-profile festival to Atlanta.

But some people have commented we were a day late and a dollar short.

We did try. Atlanta was one of 90 U.S. cities to throw its name in the hat in April to host Sundance. On May 6, Atlanta found out it had made the first cut of 15 cities. Unfortunately, the City of Athens and the City of Savannah also made the cut — meaning that Georgia was the only state to have multiple cities bidding for the festival. The state did not want to play favorites, so it stood on the sidelines.

Then, on July 19, Atlanta learned it was among the final six cities still in the running — and that the selection committee would do an onsite visit to the city, which happened 10 days later. In fact, Sundance picked Atlanta as the first city to visit because it was the most convenient for people to meet and access thanks to Hartsfield-Jackson International Airport.

A City of Atlanta social media post about the onsite visit of the Sundance selection committee considering cities for the film festival. ( Photo via City of Atlanta social media.)

Among Atlanta’s strengths, it was by far the largest metro area being considered. It had multiple venues and theaters where films could be shown. It has thousands of hotel rooms. And the city is used to hosting major groups. The city also has an amazing narrative as a center for civil and human rights with great diversity racially, ethnically and socially.

But Atlanta falls short when it comes to state and regional arts leadership, especially when it comes to funding.

Georgia is dead last among the 50 states in per-capita funding for the arts. As a city, region and state, we do not have the funding mechanism in place to support, nurture and seek major arts and cultural entities and events.

By comparison, Utah invests 1/10 of 1 percent of its sales tax for recreation, arts and parks. Many cities around the country have dedicated funding for the arts — Denver, Minneapolis-St. Paul, etc. 

While Atlanta collects significant hotel-motel taxes, most of those dollars are dedicated to funding stadiums and major sporting events. There is no mechanism to raise a dedicated funding stream for arts and culture — either in the city, the region or state.

We also do not have any entity for the arts that parallels the Atlanta Sports Council, which operates out of the Metro Atlanta Chamber but works closely with the Georgia Department of Economic Development and other statewide entities.

Should we create a Metro Atlanta Culture Council or a Metro Atlanta Arts Council that could convene the diverse players in our state — corporate, government and philanthropic?

Unfortunately, entities that we have created to support the arts in the past are only a shadow of their former selves — the Metropolitan Atlanta Arts Fund, which is based at the Community Foundation for Greater Atlanta, and the Regional Atlanta Arts and Cultural Council, which started at the Metro Atlanta Chamber and then became a program of the Atlanta Regional Commission.

We have failed to galvanize our community to really champion the development of arts and culture in our region.

Looking around, we have so much to offer. We have a vibrant film and television industry — one of the top states in the country. We have more than two dozen film festivals already here — including the Atlanta Jewish Film Festival, which has about 30,000 attendees a year; the Atlanta Film Festival, which has about 20,000 annual attendees, followed by the BronzLens Film Festival and Out on Film.

Photographer Sue Ross takes a selfie of her with Edwin Moses at the Sept. 21 premiere of “Moses – 13 Steps” at the Morehouse College Human Rights Film Festival. (Photo by Maria Saporta.)

Just this past Saturday night, Morehouse College hosted the sixth annual Human Rights Film Festival. The festival premiered “Moses – 13 Steps,” a documentary that features the incredible career of Edwin Moses, the Olympic athlete who broke the world record for the 400-meter hurdles while he was a student at Morehouse.

There is so much energy and vibrancy to Atlanta arts, cultural, music and entertainment community, but we are so splintered as a region. Every city and or county is building performing arts centers, often not working in concert with others in the region. 

How can we find a champion, or champions, to bring together the various players for the greater good? Someone suggested we need our own Robert Redford, who championed the Sundance Institute, to grow our own cultural offerings. Could the Atlanta Committee for Progress, under the leadership of Atlanta Mayor Andre Dickens and Chair Carol Tomé, an enthusiastic arts patron who is CEO of UPs, play a role?

The loss of Sundance reminded me of a significant story from the 1980s when Atlanta lost out to Austin, Texas in a bid to attract the Microelectronics and Computer Technology Corp, a research and development center credited with helping Austin grow into a high-tech business hub. 

The Morehouse College Human Rights Film Festival is one of the more than two dozen film festivals that occur in Atlanta each year.

The head of MCC’s search told Georgia leaders that Atlanta’s bid failed because of a lack of collaboration among the major universities in the state – namely the University of Georgia and Georgia Tech.

Over the next several years, top business, academic and state leaders created in 1990 the Georgia Research Alliance, which is composed of the presidents of the state’s top eight research universities with top business, civic and government leaders. The Alliance has encouraged cooperation and collaboration among the various players, and over the past several decades, Georgia has seen its status as a state for technology and research leapfrog over many other competing states.

We turned a loss into an opportunity to excel.

Let’s turn the loss of Sundance into an opportunity to shine. Let’s challenge ourselves to go from worst to first — remember the Atlanta Braves 1991 season? — when it comes to supporting arts, culture and quality of life in our state.

It’s a loss — and an opportunity — we must not waste.

Maria Saporta, executive editor, is a longtime Atlanta business, civic and urban affairs journalist with a deep knowledge of our city, our region and state. From 2008 to 2020, she wrote weekly columns...

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9 Comments

  1. So true Maria! We have an extraordinary High Museum of Art; ATL Symphony programming; Alliance Theatre; a diverse music scene; we have a robust film industry; and even ATL can claim the stellar expansive academic programs of SCAD. But we fall below the mark in a robust cultural arts foundation – a strong presence- that could be a constant contributing patronage of artistic leaders and financial leadership for the state that would further our place on the map to attract such creative experiences as Sundance.

  2. Great points made here, Maria- I hope Leadership on all levels is listening. But for the State to step up, it will require a majority of legislators who believe in the value of the arts. It has been my observation over decades, Republicans don’t support funding the arts, arts education, or arts organizations/opportunities at the level elected Democrats do. For some time now we’ve had a Republican majority trifecta in the State Senate, House, & Governor’s Office, so that’s a big reason we don’t see more support in this space.

  3. Great article, Maria, and smart advocacy. I doubt we ever had a chance at Sundance since I doubt they are serious about moving. I think they’re using the process to extract more from the Park City & SLC, which is where they will end up. That’s beside your point, however, we do need a visionary leader to step forward and figure out how to shape all the existing assets you’ve mentioned into a film festival brand that will attract the world.

  4. Another factor is poor maintenance of basics, such as repair to streets and sidewalks in the downtown area. Look at the places the committee took the film festival group, midtown area, not downtown.

  5. I’m unsure about the health of film going in Atlanta as a whole, especially as it relates to the types of films Sundance shows. There doesn’t seem to be much appetite for small or midsize movie going. Landmark looks like it’s about to close after a bankruptcy announcement as well as not playing movies past 7pm on the week days. The Tara had to be brought back from the dead, our premiere art house theater The Plaza was on the chopping block not so long ago. The High/Woodruff Art Center hasn’t done a film series in a generation. Our one time movie palace, The Fox, just does Disney sing alongs. Cinefest no longer plays anything but big tent releases that are 6+ months old. SCADshow doesn’t do movies. There seems to be no interest/funding for movies at Piedmont Park. A theatre planned for Trilith 4+ years ago has never come to fruition. The Regal 24 is closed. The Rialto project hasn’t materialized. Maybe Atlanta is the city too busy to watch movies (at a theater).

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