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Arts project aims to nurture relation between Black community, arts institutions

Credit: © Radcliffe Bailey. Courtesy of the artist and Jack Shainman Gallery, New York.

By David Pendered

The legacy of disconnect between the region’s BIPOC community and arts institutions with a legacy of white influence is addressed in an initiative that unveils its first product July 2 – a film of dance and music that explores a painting touching on themes of migration.

Radcliffe Bailey’s painting, ‘EW, SN’ inspired the musical and dance performances in the first event of the Permanent Project. Credit: © Radcliffe Bailey. Courtesy of the artist and Jack Shainman Gallery, New York. (Details at end of story.)

The performances in the 10-minute film are inspired by a painting by Radcliffe Bailey, which is in the permanent collection of the High Museum of Art. The film concludes with a discussion of inspirations the collaborators gleaned from the painting, “Permanent: EW, SN.” Speakers include:

  • Raianna Brown, artistic director of Komansé Dance Theater;
  • Fahamu Pecou, director of African Diaspora Arts Museum of Atlanta and a board member of the High Museum of Art;
  • Jason Ikeem Rodgers, maestro of Orchestra Noir.

The film launches the Permanent Project. Its goal is to provide additional perspectives on artworks by Black artists in the High’s collection, and present the resulting experiences in Atlanta’s historically Black communities.

The first community to be recognized is Atlanta’s English Avenue. The film is dedicated to the neighborhood and was screened for residents in a May 3 event at the High. This autumn, the film is to be shown in the neighborhood on dates to be determined.

A young Black visitor to the High celebrated the instructions next to the exhibit: ‘Move your arms. Kick your legs. Express yourself!’ Credit: Kelly Jordan

History weighs heavy in this area, developed for the white working class by the son of Atlanta Mayor James English, whose business enterprises included the Chattahoochee Brick Co., according to a 2006 community redevelopment plan conducted for the English Avenue Neighborhood Assoc.

The land of the shuttered brick company was declared a sacred site in April by a group of area advocates. The declaration recognizes the legacy of exploitation of Black convict labor to make bricks used in public works projects and buildings throughout the city.

The Permanent Project aims to highlight selected pieces by Black artists that are in the High’s collection. These pieces are to be explored through art experiences, including film, to reveal to non-white communities the value arts institutions can bring to their lives, including institutions with a legacy of white influence.

Pecou, in a statement, described the project as providing additional meaning and context that brings art “off the wall:”

The High was the first museum to present the major traveling exhibit, ‘Making Africa: A Continent of Contemporary Design.’ Visitors turned out in force from Oct. 14, 2017 to Jan. 7, 2018. Credit: Kelly Jordan

  • “Many Black communities in Atlanta are underserved, particularly as it pertains to the art. Ultimately, the goal of ‘Permanent Project’ is to reveal the deeper, embedded connections to community in art created by Black artists – connections often lost in conventional presentations of the work.
  • “These collaborations will bring the artworks ‘off the wall’ in a real way and serve as a bridge between Black community members and Black artists, which is important to dispelling the idea that museums and other art institutions are not places for them.”

The Permanent Project continues the focus on inclusivity that Randall Suffolk brought to the High when he arrived in 2015, as Nancy and Holcombe T. Green, Jr., Director. This effort includes the “Art and Inclusion Report: 2015-2020,” which, “while it marks our progress, it more importantly establishes a new baseline to guide the Museum’s ongoing dialogue about what’s next,” as Green wrote in the introduction:

  • “[W]e will continue steadfastly toward our goal of being a place where all Atlanta is comfortable coming together. Achieving that will take continuous focus and the relentless reinforcement of inclusivity as integral to everything we do.”

Notes to readers:

At the HIGH Frequent Friday event on July 2, at 7 p.m. and 8 p.m., the High Museum of Art is to screen the film inspired by the painting “EW, SN,” by Radcliffe Bailey and in the High’s collection. Tickets are on a first-come, first-served basis and information and tickets are available here. More information on the Permanent Project is available here.

Details provided by the High Museum of Art of “EW, SN:” “Radcliffe Bailey (American, 1968), EW, SN, 2011, acrylic, glitter, and velvet on canvas, High Museum of Art, Atlanta, purchase with funds from Alfred Austell Thornton in memory of Leila Austel Thornton and Albert Edward Thornton, Sr., and Sarah Miller Venable and William Hoyt Venable and the Radcliffe Bailey Guild, 2011.49. © Radcliffe Bailey. Courtesy of the artist and Jack Shainman Gallery, New York.

Musicians perform an original score created to accompany a dance inspired by Radcliffe Bailey’s painting, “Permanent: EW, SN.” Credit: High Museum of Art

Dancers prepare to practice a performance created to accompany a score inspired by Radcliffe Bailey’s painting, “Permanent: EW, SN.” Credit: High Museum of Art

 

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David Pendered

David Pendered, Managing Editor, is an Atlanta journalist with more than 30 years experience reporting on the region’s urban affairs, from Atlanta City Hall to the state Capitol. Since 2008, he has written for print and digital publications, and advised on media and governmental affairs. Previously, he spent more than 26 years with The Atlanta Journal-Constitution and won awards for his coverage of schools and urban development. David graduated from North Carolina State University and was a Western Knight Center Fellow.

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1 Comment

  1. Peggy Dobbins June 21, 2021 12:48 pm

    I hope there will be a call for artists — of all modes and media (2 and 3 dimensional, landscape, architecture, dance, musical, literary including proclamations and budgetary proposals of beauty) to offer paths to reparation on the sanctified site of the Chattahoochee Brick Company.Report

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