A "site agnostic" conceptual drawing of a possible GRAMMY Museum in Atlanta (Special: Georgia Music Accord)

By Maria Saporta

The GRAMMY Museum Foundation has approved an agreement with Georgia Music Accord to build and operate a GRAMMY Museum experience in Atlanta and implement educational programs across the state.

Brad Olecki, CEO of Georgia Music Accord, confirmed the agreement before Monday’s meeting of the Rotary Club of Atlanta when Chris “Ludacris” Bridges discussed Georgia’s music industry with Shan Cooper, executive director of the Atlanta Committee for Progress.

Ludacris also is serving as co-chair of Georgia Music Accord along with Greenberg Traurig entertainment attorney Joel Katz. Cooper is on the board of the Georgia Music Accord.

The agreement follows more than a year of exploring the opportunity to build a GRAMMY Museum in Fulton County and how best to leverage educational programs for the benefit of the entire state.

A “site agnostic” conceptual drawing of a possible GRAMMY Museum in Atlanta (Special: Georgia Music Accord)

Michael Sticka, president of the Los Angeles-based GRAMMY Museum and the GRAMMY Museum Foundation, wrote in an email why his organization is expanding in Georgia..

“Atlanta and Georgia have a deep and rich musical heritage, so it only makes sense that we explore a deeper relationship with our partners at Georgia Music Accord,” Sticka said. “A partnership that is based on music and one that will help us to expand our educational mission and ability to celebrate music with students and the broader community in Atlanta, Fulton County and the state of Georgia.”

That will lead to having “partners and the ground” to deliver educational content.

“From a long-term perspective, we’re excited and open to the possibility of partnering with the Georgia Music Accord as they move along in the evaluating the feasibility of licensing the GRAMMY Museum name to expand our footprint to Atlanta, which is such an important music center,” Sticka added.

Olecki said there are four key pillars to striking an agreement with the GRAMMY Museum.

Chris “Ludacris” Bridges (Special: Wikipedia)

First is education. Second is the economic impact the project could have on tourism and hospitality jobs. Third is workforce development – helping train the next generation of music professionals – both artists, producers and skilled technicians – as a way to keep the talent in Georgia. And lastly, it will be a way to celebrate Georgia’s musical heritage “and its place on the global music scene.

The agreement follows an exploratory study (the state of Georgia and Fulton County each invested $250,000 in the effort) to look at the feasibility of building a GRAMMY Museum in Atlanta.

Georgia Music Accord is working with Coxe, Curry & Associates on the funding feasibility for the Museum. At the same time, Olecki said no decisions have been made on a site for the Museum.

“We are actually working through the options on the site right now.,” Olecki said. “We are having a lot of discussions right now with property owners, and we are open to ideas. We hope to select a site in the next six months.”

Tammy Hurt

Robb Pitts, chairman of the Fulton County Commission, said the announcement is “music to my ears.” Back when he was a member of the Atlanta City Council in the 1990s, Pitts spearheaded an effort to bring the GRAMMY Music Hall of Fame to Atlanta. But that effort failed to garner enough local support.

“We have always believed that we were, and we are, a music capital in the world,” Pitts said. “Now fast forward to where we are now. It is fantastic news for us that will cement our place in the music industry worldwide.”

During Rotary, Ludacris showed a video of message from GRAMMY’s Sticka announcing the partnership with Georgia Music Accord. After the video, Ludacris was able to share his excitement.

“We’ve been keeping that a secret,” Ludacris said. “The cat is now out of the bag… I can’t wait.”

One of Georgia’s strengths is the variety of music genres that exist throughout the state, said Tammy Hurt, president of the Georgia Music Accord. Hurt also is vice chair of the Recording Academy board of trustees.

“The goal is to grow the ecosystem in Georgia, retain the talent and celebrate what’s here,” Hurt said. “We have homegrown talent here, and we have the industry here. We have such a vast diversity of talent here. It’s a story that has to be told.”

Brad Olecki

Hurt said Atlanta is among the top music centers in the country in a similar league as Los Angeles, New York, Nashville, Austin among others.

Georgia is well known as a center for hip hop. It also is home to James Brown, Otis Redding, the Allman Brothers, REM, the B ’52s, Collective Soul, country music artists and the Atlanta Symphony Orchestra, a perennial winner of GRAMMY awards.

Olecki and Hurt also said the hope is that a GRAMMY Museum in Atlanta would shore up the state’s capacity to provide post-production facilities for the movie, television and gaming industry.

As envisioned, the Museum would have a scoring stage that would work on music scores for movies, TV shows and video gaming.

“We have 16 professional orchestras in the state,” Olecki said. “We would be able to score movies that are being produced here.”

Georgia Music Accord currently is working on the feasibility study for the Museum to determine the size and scope. It is expected that a scoring stage could help defray the operating costs of the attraction.

“We don’t want to over build, and we don’t want to under build,” Olecki said. “We can drive educational programs across the state. This is going to be a very digital and interactive experience. It will be a museum without walls with a mobile component. Our main goal is to make sure it is accessible to everyone.”

Maria Saporta, executive editor, is a longtime Atlanta business, civic and urban affairs journalist with a deep knowledge of our city, our region and state. From 2008 to 2020, she wrote weekly columns...

Join the Conversation

26 Comments

  1. “country music artists “…..with only a cursory search you could have found names like Jason Aldean, Trisha Yearwood, Jennifer Nettles, Luke Bryan, Lady A, Travis Tritt and Alan Jackson………but no “country music artists” covers it.

    1. Dude you need to fix that website! It’s pretty badly broken. Interesting project though (as far as I can tell – so many pages don’t work!)

  2. I think you are so right, to let the world what talent is in Atlanta and what Atlanta has done back in the old days there are great stories of people starting and a lot of Big stars out of Atl and not so big of Stars that started it in Atlanta. If you need a story I have a mother that’s in the Atlanta Country hall of fame and is 89 yrs old that had to sing her and her sister to help at home with money to survive. They are a Star in our eyes There names are the Logan Sisters the first lady’s to have there on tv show on channel 5 of Country music . We have a lot of stuggling artist here and great songwriters and we need the recognition. Thanks ????

  3. Georgia has produced some of the greatest artists of our times. It will be great to have a museum to celebrate that history and to educate and help our artists of the future.
    Bravo

  4. a museum of inequitable recognition of musical talent..

    the grammy’s, like our mainstream media as a whole-is guilty of elevating the presence of their accepted artists while ignoring the wealth of independent voices..shameful!

  5. Well, we couldn’t even keep a Georgia Music Hall of Fame afloat so this oughta work real well. Still, should be nice while it lasts.

  6. A few people looted the freaking gift shop, it was really unfortunate, but hardly a major event. Nothing in the collection was touched. So nice that people are more upset about keychains getting stolen than people being murdered.

  7. All genres I hope, and not just recent Grammy winners. Although icons like Bill Lowry, Jerry Reed, Ray Stevens, Joe South probably have them. The ASO Chorus and other vocal groups. There’s early 1900’s Atlanta University quartets that included James Weldon Johnson that were instrumental in the origins of Barbershop Quartet music. And there are Atlanta quartets who have won international competitions that should be recognized (FRED and Prime Cut). And early song writers. Lots of music history in Georgia – all of it should be included.

  8. If I’m reading correctly, that headline is more than a bit of an overstatement. The Grammy Foundation awards licenses to lots of cities and sponsor companies to make themselves money and – based on your reporting – the citizens of Georgia and Fulton County ponied up $500,000 to “research” and present our city as a bidder. Hardly the same as winning a contract to become the National home of the Grammy Museum.

  9. If architecture ever was really “frozen music,” the presumptive Grammy Museum is a good example of what happens when music is left too long in the sun.

Leave a comment

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.