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‘The Girl on the Train’ provides Tate Taylor chance for redemption; he passes

The Girl on the Train Emily Blunt delivers a strong performance that's not enough to offset the shortcomings of the director, Tate Taylor. Credit: hype.my

By Eleanor Ringel Cater

Dreary and confusing, “The Girl on the Train” goes off the rails early. And stays there.

Whatever allure Paula Hawkins’ best-seller has – and it must be considerable, given the number of people asking about the movie – it’s sadly lacking in this mopey adaptation.

The Girl on the Train

Emily Blunt delivers a strong performance that’s not enough to offset the shortcomings of the director, Tate Taylor. Credit: hype.my

A game Emily Blunt stars as Rachel, a divorcee with a drinking problem. The sort of problem that has her swigging down vodka from a sippy cup before noon.

While her alcohol abuse is forever (apparently), her abusive husband, Tom (Justin Theroux), is history. He’s re-married – to perky blonde Anna (Rebecca Ferguson) – and they have an adorable toddler.

Tom has moved on. Rachel hasn’t. She still compulsively watches her old neighborhood pass by on her daily train rides in and out of Manhattan.

There’s another reason she stares out the window.  One of the few things that cheers her up is watching a seemingly perfect young couple – given to copious Public Displays of Affection on their back deck – who live practically next door to Tom and Anna.

They are Megan (Haley Bennett) and Scott (Luke Evans) and, as you may have already guessed, not all is as it appears.  But to the deeply traumatized Rachel, their life looks idyllic.  Until, that is, she sees Megan embracing another man. And our obsessed voyeur turns amateur detective.

Apparently, the book offered different points of view – Rachel’s, Megan’s and Anna’s. Alas, the talent-free director Tate Taylor is far too limited to pull that off. So he tries splintering the narrative with copious title cards and flashbacks. But it doesn’t work. Instead, we’re immersed in misogyny-drenched soap-opera idiocy.

Tate Taylor

Tate Taylor

To be fair, Taylor isn’t so great with the male characters either, who are generally portrayed as vacuous horn-dogs. That they’re played by actors who look a bit alike doesn’t help.

Actually, Bennett and Ferguson resemble each other, too. Both suggest B-movie versions of Rosamund Pike, star of  “Gone Girl” – a movie, also based on a best-seller, that arrived in theaters at roughly the same time in 2014. Hey, both have “Girl” in the title, so….

Perhaps mirror-image casting is Taylor’s idea of a “theme.” Or maybe it’s indicated in the book. It doesn’t matter because, again, it doesn’t work.

Okay, let’s just say it: virtually nothing works in “The Girl on the Train.” And I blame Taylor, who’s best known for “The Help,” one of the dumbest and most annoying movies ever made.

Blunt, bless her heart, gives it all she’s got (which is considerable).  She even goes all leading-lady dingy – scraggly-haired and red-nosed for most of the movie. But she doesn’t stand a chance against Taylor’s flat-footed direction.

Given the lack of major women’s roles so far this year, Blunt may get some end-of-the-year award recognition, even a possible Oscar nomination. I say she’s earned it – not so much for what’s on screen as for what she’s managed in spite of her incompetent director.

Perhaps a better title for “The Girl on the Train” would be “The Girl Hit By a Train.” A train named Tate Taylor.


Eleanor Ringel

Eleanor Ringel, Movie Critic, was the film critic for the Atlanta Journal-Constitution for almost 30 years. She was nominated multiple times for a Pulitzer Prize. She won the Best of Cox Critic, IMAGE Film & Video and Women In Film awards. An Atlanta native, she graduated from Westminster and Brown University. She was the critic on WXIA’s Noonday, a member of Entertainment Weekly's Critics Grid and wrote TV Guide’s movie/DVD. She is member of the National Society of Film Critics and currently talks about movies on WMLB and writes the Time Out column for the Atlanta Business Chronicle.


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  1. ironiclad October 11, 2016 10:31 am

    Ringel is spot on. The book was a waste of time, but any book title that uses “girl” promises nubile creatures and sexuality. This book was not sexy or even interesting. Can’t imagine the movie would be an improvement. I agree with Ringel Carter, though, that Blunt deserves some long-awaited recognition for her stellar acting – other than just Prada.Report

  2. StephenMichaelBrown October 18, 2016 9:56 am

    Always enjoy your reviews and completely agree on this one!Report


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