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‘Tommy’s Honour’ perfect for scratch players, for duffers – not so much

In “Tommy’s Honour,” the greatest hazard facing Tommy Morris – the 19th-century golf prodigy who won the equivalent of the British Open four times before he turned 21 – wasn’t sand traps or rough weather. It was the wretchedly rigid class system which decreed, no matter how well he did on the course, off the course he wasn’t a gentleman and thereby ineligible for acceptance into the inner circle at Scotland’s august St. Andrews. The highest he could aspire to was being a caddy.

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In ‘Going in Style,’ viewers’ patience is rewarded

If you’re going to insist on making a movie about cuddly old codgers, you can’t do much better than casting Michael Caine, Morgan Freeman and Alan Arkin, the stars of “Going in Style.”

This trio of Oscar winners (Caine has two, actually) know all about how to make a movie work as best as it possibly can. And they know how to rescue one when it gets in trouble.

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‘Get Out’ melds humor, horror in a race-conscious screenplay

“Get Out” pulls off a pretty impressive balancing act. It is simultaneously funny as all get out and scary as all get out.

The brainchild of Jordan Peele (best known as the shorter half of the Peele and Key comedy duo), “Get Out” has been hanging on in theaters for weeks now. No wonder. It’s an eminently satisfying film, combining sharp social satire with a horror flick’s incremental sense of dread.

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‘The Zookeeper’s Wife’ squanders opportunity, misses the mark

It’s one thing to buy a zoo, as Matt Damon did in the 2011 movie. It’s quite another to keep the remnants of a zoo up and running after the Nazis have goose-stepped into Poland, as Jessica Chastain does in “The Zookeeper’s Wife.”
Based on a true story, the movie follows the quiet heroics of Antonina and Jan Zabinski (Chastain and Johan Heldenbergh). Not only did they do their best to keep the few animals that survived the initial Nazi invasion alive; they also used their decimated zoo as a means to hide Jews who’d escaped the infamous Warsaw Ghetto.

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‘Personal Shopper’ makes viewers voyeurs, perhaps stalkers, of leading lady

Kristin Stewart and her cell phone co-star in “Personal Shopper,” a ghost story for the cyber age. Since Stewart always looks slightly haunted, you could almost say it’s typecasting.

However, the typecasting here is of a different sort. As she did in “The Clouds of Sils Maria,” Stewart is again playing the personal assistant to a powerful woman. But while the core of “Sils Maria” was the give-and-take between her and Juliette Binoche (the self-absorbed actor who employs her), the boss in “Personal Shopper” is more a plot device than anything else. This movie is all about Stewart; thankfully, she’s such an intriguing actor, she can handle it.