A movie has to be pretty bad to make Diane Lane look bad.
Alas, “Paris Can Wait” is that movie.
Lane plays Anne, a chicly dressed accessory (read, wife) to power-player filmmaker, Michael (Alec Baldwin). He’s not a monster (well, not by Hollywood standards). Sure, he plays around and generally treats her more like a personal assistant than a wife (Where are my socks? Where are my pills?)). But at least he’s semi-conscious of the inequity and, in his way, values her.