By Eleanor Ringel Cater
Bad news, Big Apple.
Woody Allen has found himself a new love. Her name is Paris.
And, almost as if to rub it in, Allen opens his new feather-light “Midnight in Paris” with a montage of the City of Light that’s similar to the classic opening of 1979’s “Manhattan,” with its luscious George Gershwin score.
However, “Midnight in Paris” doesn’t present itself quite so grandly. The music is jauntily nostalgic, more Edith Piaf in a good mood.
As it turns out, Allen is in a good mood, too. First indicator: he’s cast Golden Boy Owen Wilson as his surrogate self.
