Kathryn Bigelow doesn’t fool around.
She never has. Think of the tense and ultimately explosive opening of “The Hurt Locker.” Or the fatal pick-up outside a bar in her vampire-cum-biker flick, “Near Dark.”
In her Oscar-nominated movie, “Zero Dark Thirty,” she goes straight for the jugular. The screen is black and on the soundtrack we hear a building babble of voices, which — it’s almost immediately clear — are real-life phone calls made from those trapped in the World Trade Center on 9/11.
