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‘Baby Driver’ – a ‘sweet ride of a movie’ filmed in Atlanta

Oh, baby, baby, baby, baby.

“Baby Driver” is one sweet ride.

Part of the fun is purely visceral: “Baby Driver” spins fantastical wheelies all over Atlanta. And unlike, say, the CGI mayhem in the  “Fast and Furious” franchise, these chases, crashes and exhilarating loop-the-loop thrills combine technical wizardry with the hands-on genius of a small flotilla of stunt drivers.

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Moreland Avenue’s remake will promote alternative transit in a growing community

By Guest Columnist CARL HOLT, an avid promoter of bicycling who volunteered as project manager for the installation of Atlanta’s first bike corral, in the Kirkwood neighborhood

The Georgia Department of Transportation, along with City of Atlanta and Little Five Points Community Improvement District, has been working to transform a half-mile section of Moreland Avenue (U.S. 23/Ga. 42) from a traditional urban highway to a Complete Street. A Complete Street usually involves a road diet, to provide a safer corridor for all modes of transportation. What is unique about this corridor is that Moreland Avenue is a six-lane roadway passing through one of Atlanta’s more pedestrian active business districts, Little Five Points.

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A growing chorus: Atlanta must be proactive to preserve its unique tree canopy

This is the third column in a series about Atlanta’s trees

A groundswell of community leaders are doing all they can to make sure Joni Mitchell’s song “Big Yellow Taxi” doesn’t become Atlanta’s reality.

The song’s chorus feels all too familiar:

Don’t it always seem to go
That you don’t know what you’ve got
Till it’s gone
They paved paradise
And put up a parking lot

Atlanta is uniquely positioned as a city in a forest, and there is a movement afoot to make sure it stays that way.

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‘The Beguiled’ – movie suffocates from too much estrogen

Though based on the same book by Thomas Cullinan, Clint Eastwood’s “The Beguiled” (released in 1971) and Sofia Coppola’s current version couldn’t be more different.
 
Eastwood’s picture, directed by fellow macho-man Don Siegel (remember, this is the Eastwood of “Dirty Harry,” not “Million Dollar Baby”), had a kind of leering Gothic misogyny. Coppola’s film, which made her only the second woman ever to win best director at Cannes, offers a gauzier female gaze — rustling petticoats and repressed desire.

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Why ‘We the People’ need the Legal Services Corp.

By Guest Columnist JOHN BARROW, representative of Georgia’s 12th Congressional District from 2005 through 2015

When I was in Congress I was able to help a lot of folks get their Social Security or VA benefits, and I got a lot of hugs from those I was able to help. Now I’m working as a volunteer in a legal aid office supported by the Legal Services Corp. And just the other day I got a hug from a victim of domestic violence I’d helped get a protective order.

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