A new visioning plan intends to guide the revitalization Atlanta’s first suburb developed for African Americans, a neighborhood where two thirds of residents who took a survey think the new Falcons stadium will have a negative impact on their community.
Corinne Adams’ artistic vision saw past the shattered window of her VW Touareg and admired the nuggets of safety glass scattered like diamonds on the ground. Today the Buckhead photographer and mixed media artist creates cuffs, earrings, belt buckles and more from the glass remnants of car crimes and misadventures. C Glass accessories convey a message of hope and redemption, and often are given to mark a loss or difficult life event, as a message that what is broken can become something beautiful.
When Renaissance man Ray Barreras recently departed Atlanta, the city’s fabric lost a stabilizing force.
For 50 years here, he made the complex look easy, from teaching organic chemistry at the Atlanta University Center and Morehouse School of Medicine, to manning the WABE pledge drive for decades, to a gender-busting, prolific hobby of quilt making. That list only scratches the surface of his service, mostly behind the scenes and without pay, that helped Atlanta diversify.
Steve Walton’s Christmas display around his Virginia Highland bungalow features a manger and baby Jesus without mom and dad, a monstrous snowman’s head and the effigy of an elderly woman who apparently got run over by a reindeer.
There are no flashing holiday lights, dime store decorations or blow up Santas. His displays are funny and edgy, sometimes quite dark and suggestive of a sense of longing for an artist who has experienced considerable loss in his life.
He moved on with his life by turning discarded stuff into elaborate, seasonal lawn displays. After the death of his partner in 1989, “I started to see the yard as a palette, not a chore,” said Walton, 59, last week. “It was very therapeutic.”
Atlanta’s newest music ambassador is a hip hop artist from the Kirkwood neighborhood whose photo appeared this month on a section front of The New York Times.
At a time the region is receiving little in the way of good news coverage from media around the nation, the performer known as Future is keeping the city’s music industry in the national spotlight.
Future’s photo appeared this month in The New York Times with a 1,000-word story about Atlanta’s ever-changing hip hop scene. On March 2, Future will appear as a headline act in the 20th annual 9 Mile Music Festival, at Miami’s Virginia Key Beach – a beach where blacks could gather during the segregation era.
Tom Murphy had been in the restaurant business for years serving nutritious and high quality meals at Murphy’s, his iconic Virginia-Highland restaurant, but it wasn’t until his mother passed away from ovarian cancer that he realized there was a segment of the market that wasn’t being served well.
He decided to fill that void and, in the process, created a sustainable funding mechanism that has earned millions of dollars for the Atlanta nonprofit Open Hand.